Lenz publishes books on contemporary art, photography, architecture and design.
Our imprint includes catalogues, monographs, theory and artist books.
The artist’s book to love and devour by Tolia Astakhishvili was published on the occasion of the inaugural exhibition at the new site of the Nicoletta Fiorucci Foundation in Venice, curated by Hans Ulrich Obrist.
This monograph, published on the occasion of Samson Young’s exhibition at SFMOMA, focuses on his latest project, Intentness and Songs, a multimedia installation that poetically traces the idiosyncratic rhythms of love, memory, experiences of time, and AI. Essays and a rich set of unpublished materials offer new keys to understanding the artist’s work.
The book, published on the occasion of the eponymous exhibition held at CAM – Gulbenkian in Lisbon, explores convergences in the work of Paula Rego (Lisbon, 1935 – London, 2022) and Adriana Varejão (Rio de Janeiro, 1964), although they belong to different generations and come from different backgrounds.
O livro, lançado por ocasião da exposição homónima no CAM – Centro de Arte Moderna Gulbenkian, em Lisboa, explora as convergências nas obras de Paula Rego (Lisboa, 1935 – Londres, 2022) e Adriana Varejão (Rio de Janeiro, 1964), apesar de pertencerem a gerações e contextos distintos.
The future of architecture lies in the curatorial approach. This is the thesis put forward by architect Wilfried Kuehn and theorist Dubravka Sekulić in their book, which brings together contributions from more than 30 authors working in the fields of architecture, art, and curatorial knowledge and practice.
Emanuele Coccia describes the radical creative freedom inscribed in Ernesto Neto’s practice, analyzing the workings of the Brazilian artist’s pieces of living architecture. Art on Earth is the third book in a series of short essay collections inspired by the site-specific projects conceived for GAMeC at Palazzo della Ragione.
Edited by Andrea Bellini & DIS - Lauren Boyle, Solomon Chase, Marco Roso, David Toro
Contributors: Emily Allan & Leah Hennessey, Theo Anthony, Andrea Bellini, Riccardo Benassi, Will Benedict & Steffen Jørgensen, Hannah Black & Juliana Huxtable & And Or Forever, DIS, Giulia Essyad, Simon Fujiwara, GRAU, Mandy Harris Williams, Camille Henrot, Sabrina Röthlisberger Belkacem, Akeem Smith and TELFAR.
Design by Robert Huber
Hardcover, two-volume catalog, 300 pages, 24.4 x 30.2 cm
ISBN 979-12-80579-27-0
A Goodbye Letter, A Love Call, A Wake-Up Song is the title of the 2021 edition of the Biennale de l’Image en Mouvement (BIM’21), presented at the Centre d’Art Contemporain Genève. Curated by the Centre’s director Andrea Bellini and the New York-based collective DIS, the unique aspect of this edition was that the works—which, as always, were commissioned and produced by the Centre d’Art Contemporain Genève—were presented as site-specific installations in the exhibition space, but also in versions that could be viewed on the computer screen. The atmosphere of BIM’21 expressed a shared urge to imagine worlds that differ from the one we live in, and by a creative refusal of the status quo, including the current economic system.
The catalog is divided into two volumes, the first gathers textual materials—interviews, excerpts and scripts—to highlight the importance of writing in the recent video production of the artists invited to this Biennial. The second volume collects video stills and installation views that enable readers to ideally retrace the exhibition space of the Centre, which for the occasion was transformed into a curious hotel-like space, with long, dim corridors leading to fourteen different rooms.
Featuring works by Emily Allan & Leah Hennessey, Theo Anthony, Riccardo Benassi, Will Benedict & Steffen Jørgensen, Hannah Black & Juliana Huxtable & And Or Forever, DIS, Giulia Essyad, Simon Fujiwara, GRAU, Mandy Harris Williams, Camille Henrot, Sabrina Röthlisberger Belkacem, Akeem Smith, and TELFAR.
