Lenz publishes books on contemporary art, photography, architecture and design.
Our imprint includes catalogues, monographs, theory and artist books.
This artist’s first monograph brings together sketches, documentation and installation shots, as well as an in-depth analysis of her practice. It highlights her process of making art, from the conception of an idea to the finished work, and from the deconstruction and re-assembling of her characters’ identities to the relentless creation of new worlds.
Published on the occasion of the first exhibition in Italy by Jenna Gribbon, staged at the Collezione Maramotti, Mirages showcases a wealth of images that highlight the fluid, sensual output of this artist who, in repeatedly portraying her wife, the musician Mackenzie Scott (aka TORRES), explores the implications inherent in seeing and being seen.
The catalogue of this ambitious project, held at the Centre d’Art Contemporain Genève in 2017, reflects on the centrality of writing in contemporary visual art practices. Documenting its slippages from printed matters to the digital realm, from voice modulations to its sculptural presence, this book celebrates the word in all its forms.
A book emerged from the need to try to tell the story of architecture in a way quite unlike how it’s usually told, in a continuous dialogue between the anthropological gaze of Armin Linke’s photos compared with the ideation process of two public works by the Carlana Mezzalira Pentimalli architecture office.
The book documents and brings together two exhibition projects by Nina Canell and Maria Hassabi. Essays, unpublished materials and a rich set of photographic materials form the driving force behind two visual narratives that offer new keys to understanding the research of the two artists.
Can art, literature, filmmaking, and music draw out, make visible, legible, audible, or even contestable the patterns in which our lives are held? Considering the work by Stan Douglas, Harun Farocki, Ingri Fiksdal, Åke Hodell, Stefan Panhans & Andrea Winkler, Susan Philipsz, and Elizabeth Price, this publication entertains this question.
Edited by Lorenzo Giusti and Valentina Gervasoni
Texts by Emanuele Coccia and Ernesto Neto
Designed by Lorenzo Mason Studio
2025, English / Italian, softcover, 11 x 17.7 cm, 96 pages
ISBN 979-12-80579-62-1
On the occasion of the exhibition Mentre la vita ci respira – SoPolpoVit’EreticoLe, Emanuele Coccia provides a commentary on the practice of the artist Ernesto Neto and the latter’s transformation of the exhibition space into a piece of living architecture, a place of interaction that seeks the participation of the viewer so as to engender a profound link between body, environment, and wider community. Coccia explores the potential of Neto’s artistic practice, in which the aesthetic engagement is partially mediated through the use of senses, including smell, that are all too often neglected in the act of aesthetic engagement and are here called upon to reawaken deep-seated memories and emotions.
Art on Earth is the third book in a series of short essay collections inspired by the site-specific art projects specially conceived for GAMeC at Palazzo della Ragione, a symbolic, time-honored location within the city of Bergamo that embodies the values of community life and participation. The artist was asked to name an author who interests him—be it a researcher, a philosopher, or a scholar—and whose thinking could be said to underpin the project, with a view to finding a path through the complexities of the present day, starting from the work produced but without necessarily lingering on it.
Photos: Lorenzo Mason Studio