The artist’s book to love and devour by Tolia Astakhishvili was published on the occasion of the inaugural exhibition at the new site of the Nicoletta Fiorucci Foundation in Venice, curated by Hans Ulrich Obrist.
This monograph, published on the occasion of Samson Young’s exhibition at SFMOMA, focuses on his latest project, Intentness and Songs, a multimedia installation that poetically traces the idiosyncratic rhythms of love, memory, experiences of time, and AI. Essays and a rich set of unpublished materials offer new keys to understanding the artist’s work.
The book, published on the occasion of the eponymous exhibition held at CAM – Gulbenkian in Lisbon, explores convergences in the work of Paula Rego (Lisbon, 1935 – London, 2022) and Adriana Varejão (Rio de Janeiro, 1964), although they belong to different generations and come from different backgrounds.
O livro, lançado por ocasião da exposição homónima no CAM – Centro de Arte Moderna Gulbenkian, em Lisboa, explora as convergências nas obras de Paula Rego (Lisboa, 1935 – Londres, 2022) e Adriana Varejão (Rio de Janeiro, 1964), apesar de pertencerem a gerações e contextos distintos.
The future of architecture lies in the curatorial approach. This is the thesis put forward by architect Wilfried Kuehn and theorist Dubravka Sekulić in their book, which brings together contributions from more than 30 authors working in the fields of architecture, art, and curatorial knowledge and practice.
Emanuele Coccia describes the radical creative freedom inscribed in Ernesto Neto’s practice, analyzing the workings of the Brazilian artist’s pieces of living architecture. Art on Earth is the third book in a series of short essay collections inspired by the site-specific projects conceived for GAMeC at Palazzo della Ragione.
Michel Carlana, Luca Mezzalira, and Curzio Pentimalli
Photographs by Armin Linke
Design by Lorenzo Mason Studio
Hardcover, 176 pages, 24 x 33 cm
ISBN: 979-12-80579-39-3
The Italian-based architectural office Carlana Mezzalira Pentimalli designed two important public buildings in the ancient city center of Bressanone, South Tyrol. Just over five hundred meters apart, the two works, the Music School, and the Public Library allowed for reasoning about the city’s architecture, exercising a method made up of ideas that look at the peculiarities of places.
In a historical period in which the image—by virtue of its visual impact even before its meaning—has taken on the role of the main channel of communication, the Luogo Comune (“common place”)—understood both as a meeting space and as the lowest common denominator of an “essential language”—might provide the interval of reflection necessary to start asking some simple, elementary questions about what surrounds us.
Within this publishing project, the authors talk about the passage of time, the concept of place and method through the anthropological approach underpinning the photographs taken by Armin Linke in several site visits made in the cities of Treviso, Brixen and Munich, between 2020 and 2021.
Lorenzo Mason gave the graphic structure to a text written in short annotations, in which trilingualism helps to bring out the traditions of the community of Brixen: a town capable of welcoming two public buildings designed with the same approach yet specific to the context in which they are rooted.
Biographies
Michel Carlana (1980), Luca Mezzalira (1982), and Curzio Pentimalli (1982) graduated from the Università Iuav di Venezia. Founded in 2010, the office aims to make urban planning and architecture a single practice—simple and enduring, organic, precise, and necessary—that considers the project an idea, an opportunity to reinterpret a place.