The artist’s book to love and devour by Tolia Astakhishvili was published on the occasion of the inaugural exhibition at the new site of the Nicoletta Fiorucci Foundation in Venice, curated by Hans Ulrich Obrist.
This monograph, published on the occasion of Samson Young’s exhibition at SFMOMA, focuses on his latest project, Intentness and Songs, a multimedia installation that poetically traces the idiosyncratic rhythms of love, memory, experiences of time, and AI. Essays and a rich set of unpublished materials offer new keys to understanding the artist’s work.
The book, published on the occasion of the eponymous exhibition held at CAM – Gulbenkian in Lisbon, explores convergences in the work of Paula Rego (Lisbon, 1935 – London, 2022) and Adriana Varejão (Rio de Janeiro, 1964), although they belong to different generations and come from different backgrounds.
O livro, lançado por ocasião da exposição homónima no CAM – Centro de Arte Moderna Gulbenkian, em Lisboa, explora as convergências nas obras de Paula Rego (Lisboa, 1935 – Londres, 2022) e Adriana Varejão (Rio de Janeiro, 1964), apesar de pertencerem a gerações e contextos distintos.
The future of architecture lies in the curatorial approach. This is the thesis put forward by architect Wilfried Kuehn and theorist Dubravka Sekulić in their book, which brings together contributions from more than 30 authors working in the fields of architecture, art, and curatorial knowledge and practice.
Emanuele Coccia describes the radical creative freedom inscribed in Ernesto Neto’s practice, analyzing the workings of the Brazilian artist’s pieces of living architecture. Art on Earth is the third book in a series of short essay collections inspired by the site-specific projects conceived for GAMeC at Palazzo della Ragione.
Edited by Fredi Fischli and Niels Olsen
Poems by Diego Marcon
Design by Teo Schifferli
2024, English, softcover, 16.5 x 22 cm, 96 pages
ISBN: 979-12-80579-40-9
This new book is a complete survey of the cast, forged, and fabricated metal sculptures made by Danish artist Sidsel Meineche Hansen since 2017. The artist’s practice addresses the industrial complex of virtual and robotic bodies and their relationship to labor in tech, pornography and gaming. While some sculptures were conceived as individual pieces, others were created with digital counterparts within installations that typically include CGI animation, documentary video, drawing and prints.
By presenting the metal works as stand-alone pieces, this book adheres to Meineche Hansen’s concern with the material means of production, highlighting their concrete yet elusive nature. Several pieces in the publication are accompanied by poems written by artist Diego Marcon in response to the works. As an artist’s project and an archival document, the publication echoes the tradition of documentary photography devoted to sculpture.