This richly illustrated book considers the dazzling oeuvre of choreographer and dancer Marlene Monteiro Freitas. In line with her creative methodology, Alexandra Balona unfolds an “atlas of affects” through five emblematic dance pieces that reveal the intensity, humor, and humanity of one of today’s most radical choreographic voices.
Invited to present an exhibition at the Galleria Borghese in Rome, Kenyan-American artist Wangechi Mutu has developed an innovative approach to museum space, challenging hierarchy, permanence, and fixed meanings. With in-depth essays and a rich selection of illustrations, this catalog retraces that exhibition and explores the themes and concerns that have long characterized the artist’s practice.
Invitata a concepire una mostra alla Galleria Borghese, l’artista keniota-americana Wangechi Mutu ha sviluppato un approccio innovativo allo spazio museale, confrontandosi con le gerarchie, la permanenze e le sedimentazioni del contesto. Attraverso saggi approfonditi e una ricca selezione di illustrazioni, questo catalogo ripercorre la mostra ed esplora i temi e le preoccupazioni che da tempo caratterizzano la pratica dell’artista.
A visual notebook of the screenshots taken by Yngve Holen over the past five years or so, 6G—the anticipated next phase of network technology—is a peculiarly sized artist’s book, a glossy non-linear agglomeration that reflects the intersections of production, life, and digital debris.
Conceived as a visual résumé, the book provides a comprehensive overview of Posenenske’s solo exhibitions and a record of her numerous group shows. Featuring an essay by curator Erlend Hammer on the role of documentary photographs in the circulation of works of art, it was published in conjunction with the eponymous show at the Haugar Art Museum in Tønsberg.
Edited by Nicola Wright
Texts by Andrew Bonacina, Jake Grewal and Philip Hoare
Designed by Lorenzo Mason Studio
Co-published with Studio Voltaire
2025, English, hardcover, 33.5 x 23.5 cm, 144 pages
ISBN 979-12-80579-91-1
Jake Grewal’s work explores the intertwined themes of landscape, identity, and queer embodiment. His paintings and drawings often depict solitary figures in natural settings that blur the boundary between the external world and inner emotion. The landscapes—misty forests, coastal horizons, and shifting terrains—act less as backdrops and more as psychological spaces where intimacy, vulnerability, and transformation unfold.
Central to Grewal’s practice is the relationship between human fragility and the cyclical processes of nature. Through motifs of erosion, water, and changing light, he reflects on time, memory, and renewal. His figures—often nude and rendered with tenderness—suggest both exposure and belonging, merging with their surroundings in ways that evoke the fluidity of identity and desire.
Grewal’s sensibility is deeply informed by his queer and diasporic experience. Rather than addressing these identities overtly, he weaves them into the emotional and atmospheric texture of his paintings. The result is work that feels both personal and universal: meditations on longing, connection, and the search for home within the self and the world.
Under the Same Sky is Grewal’s first monograph, published on the occasion of the artist’s recent exhibition at Studio Voltaire, London. Accompanied by a conversation between the artist and Andrew Bonacina and an essay by Philip Hoare, this book also features the paintings and drawings that informed Grewal’s past exhibitions at Pallant House Gallery, Chichester, and Thomas Dane Gallery in London.
