Lenz publishes books on contemporary art, photography, architecture and design.
Our imprint includes catalogues, monographs, theory and artist books.
This richly illustrated publication combines artwork, archival and process imagery, and includes an extended interview with the artist, as well as new essays by key thinkers in the fields of anthropology, philosophy, political economy and art history.
In the first monograph on the feminist conceptual artist collective Claire Fontaine, political theorist and somatic practitioner Anita Chari explores the artist’s theoretical and political innovations to illuminate a more haptic, embodied approach to the practice of critical theory.
Shahryar Nashat inserts his art in the pages of this new artist’s book, which takes the form of a catalogue-turned-manual: but instead of explaining its meaning, he strips it of its aura, flaunts its nature as an object and describes step-by-step how to create it.
Martin Heidegger, Glenn Gould, Jacques-Louis David, Cy Twombly, Paul Engelmann and Ludwig Wittgenstein: characters that Francesco Arena has chosen or rediscovered in multiple contexts over the time recur in this book. Ranging from philosophy, to music, to visual arts, they embrace the whole world of knowledge.
This first institutional monograph on the multimedia practice of artist and director Ali Cherri aims to highlight the themes and formal concerns running through his most recent, highly significant projects at GAMeC, Bergamo; Frac Bretagne, Rennes; Swiss Institute, New York; Biennale Arte 2022, Venice; and the National Gallery, London.
The book highlights the main characteristics of the collective trauma that gave rise to Rachel Whiteread’s project for GAMeC. The psychoanalysts Angelo Antonio Moroni and Pietro Roberto Goisis map out a composite picture, starting from the sense of vulnerability and collective loss associated with the Covid-19 pandemic.
Edited by Edoardo Bonaspetti
Designed by Lorenzo Mason Studio
2020, English, softcover, 10.5 x 17 cm, 200 pages
ISBN 978-88-945353-7-2
When she started writing the Corona Tales, Chus Martínez had been weighing how people and the media were addressing the outbreak of the virus as an unprecedented disaster. One possible contribution, as curator and writer, would be to write a short story a day and post it on an Instagram account that many could access…
Martínez grew up with her grandparents till she was four, and so did her cousin, while both their parents migrated to a big city—hers to Barcelona, his to Basel—to work. The grandparents’ childhood was marked by extreme poverty: the Spanish flu left the grandfather orphan of both parents; the grandmother’s family, from the same small village in the north west coast of Spain, was also forced to encourage their children to help and work for money. These circumstances were reflected by them—with no trace of sorrow or bitterness.
The recovery was so slow that the author’s mother could not afford to attend school and it was only when she married that she and her father enrolled a night course. The stories about these two generations, posted daily, from Basel, around 7pm, offered a chance for gathering, if just virtually, demanding to identify vulnerabilities, how the COVID-19 crisis was being generalized, and how to research ways of doing. Accompanied for the first time in this book by new imagery, they provide tools for reflecting in the past and present tense.
“The effort to smile in the face of devastating circumstances is a sign of generosity that is embedded in our cultural codes. So, what could I do to entertain? Would they smile with the sweet embarrassment of reading stories on an open instagram account?” (Chus Martínez)
Born in Spain, Chus Martínez has a background in philosophy and art history. She is currently the Head of the Institute of Art of the FHNW Academy of Arts and Design in Basel, Switzerland, and Artistic Director of Ocean Space, Venice, a space spearheaded by TBA21–Academy. She sits on the advisory boards of numerous international art institutions, including Castello di Rivoli, Turin; De Appel, Amsterdam; Deutsches Historisches Museum, Berlin; and Museum der Moderne, Salzburg. She has been the Chief Curator at El Museo Del Barrio, New York and dOCUMENTA (13) Head of Department. Previously she was Chief Curator at MACBA, Barcelona, Director of the Frankfurter Kunstverein. Martínez has organized numerous exhibitions and publications with contemporary artists. She lectures and writes regularly including numerous catalogue texts and critical essays, and is a regular contributor to Artforum among other international journals.