This new anthology brings together visions, experiences and critical interdisciplinary methodologies that have been instrumental in the development of the language of moving images since 2010. New essays and conversations reflect on radical technological and poetic transformations in the works of the generation of digital native artists.
Center of the Frame is the artist’s first monograph and brings together paintings made between 1997 and 2024. The publication provides an in-depth look at Eisler’s fascination with cinema and with the transmission of images through the various formats of analog film, television broadcasts, Internet video and, of course, the painted canvas.
On the occasion of PROVENCE’s 15th anniversary, the reader My Alphabet presents 26 texts published by PROVENCE between 2009 and 2024, either in print or digitally in the weekly newsletter. These texts are sorted alphabetically, ranging from A for Amphetamine to N for Ne travaillez jamais to Z for Gen Z.
This publication is devoted exclusively to the metal works of Sidsel Meineche Hansen. Catalogued here is every cast, forged, and fabricated metal sculpture made since 2017. Poems by the artist Diego Marcon annotate and respond to the individual pieces.
This compelling artist’s book is built around KOOL (“cabbage” in Dutch), an original font designed by Reus, somewhere between a plant alphabet and concrete poetry. The publication draws on the type specimen book tradition to present new typefaces.
Through a rich selection of images, this artist’s book, published in two editions—gold and silver—explores the birth, life and death of Francesco Gennari’s work Vorrei perdermi e non trovarmi più, 2022, exhibited for the first time at the Ciaccia Levi Gallery in Paris.
Texts by Francesco Arena with Davide Pellicciari and Carlotta Spinelli
Notes by Nicola Del Roscio and Federico Vercellone
Design: Marcello Jacopo Biffi
2024, English / Italian, softcover, 20 x 28 cm, 112 pages
ISBN: 979-12-80579-48-5
Through his multidisciplinary practice, Francesco Arena implements continuous and subtle references to contemporary society, highlighting the impossibility of being totally self-sufficient and how crucial is to have a support from others. For the artist, just like religion, magic, philosophy and politics, art is a support for human life but also an antidote that humanity has created to give meaning to the existence and to be protected against the unknown.
The title of this volume, published to accompany Arena’s exhibition at Fondazione Nicola Del Roscio in Rome, refers to a famous quote by Heraclitus that was inscribed on the lintel of the entrance door of Heidegger’s famous hütte in Todtnauberg, rebuilt in real dimensions inside the space of the Foundation. The hut, ideally related to the philosopher’s memory, is a work that contains a series of new sculptures that create a game of continuous cross-references and exchanges between container and content, visible and invisible, individual and collective experience. By superimposing archive images and current documentation, this book replicates the same dynamics.
