Lenz publishes books on contemporary art, photography, architecture and design.
Our imprint includes catalogues, monographs, theory and artist books.
Conceived as a catalogue and an artist’s book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.
The practice of Tomaso Binga (Bianca Pucciarelli Menna, 1931) toys with the notion of gender, reconsidering women’s social roles and rights. This monograph, edited by Eva Fabbris, Lilou Vidal, and Stefania Zuliani, analyses her work through various languages and features a selection of poems, highlighting the author’s critical and artistic approach.
In her work, Cally Spooner crystallizes an absurd contemporary ecosystem in which entities run the risk of managing themselves and one another to death. Featuring newly commissioned essays alongside a lecture by Spooner, SWEAT SHAME ETC. is the first comprehsive survey of the artist’s output of the last five years.
This new anthology brings together visions, experiences and critical interdisciplinary methodologies that have been instrumental in the development of the language of moving images since 2010. New essays and conversations reflect on radical technological and poetic transformations in the works of the generation of digital native artists.
Center of the Frame is the artist’s first monograph and brings together paintings made between 1997 and 2024. The publication provides an in-depth look at Eisler’s fascination with cinema and with the transmission of images through the various formats of analog film, television broadcasts, Internet video and, of course, the painted canvas.
At 500 pages, this is the most comprehensive book yet on Norwegian artist, Ida Ekblad. Appearing three years after the artist’s show at Kunsthalle Zürich, Melted Snow took certainly a long time—all the time is takes to ponder fifteen years of the artist’s career.
Edited by Kuehn Malvezzi
Designed by Something Fantastic
2025, English, softcover, 14.5 x 21.5 cm, 416 pages
ISBN 979-12-80579-88-1
The House of One is a bold proposal by three local communities to build a house of prayer and learning for Jews, Christians, and Muslims in central Berlin. The design, which was the result of an international competition won by architects Kuehn Malvezzi in 2012, is to be built on the existing foundations of St. Petri Church, the first documented site in Berlin’s history. The concept of the House of One is based on dialogue and an understanding of other faiths. As well as being a place of worship, it will be an educational center open to everyone. The sequence of spaces follows the principle of multiplicity within unity and heterogeneity within a single building. Although their rituals are different, coming together around a central hall in one building aspires to the universal.
The dynamic relationship between the specific and the universal informs its architecture as a hybrid monument. Since 2012, the project has attracted considerable interest due to its uniqueness and complexity. It has been featured in numerous international exhibitions, including the Chicago Biennial and the Venice Biennale. A wooden model of the House of One is included in the collection of the Victoria and Albert Museum. This book traces the project’s development to the present day and includes details of exhibitions, articles, and contributions from artists who have interpreted the House of One through videos, photographs, and performances.
Photos: Nicola Gnesi